Songs and Sonics

Well, it’s taken multiple crazy web server issues and wild goose chases to locate old backup DVDs, but it’s finally here — the Really Really Weird Remix Contest!

Almost everything you need to know about the contest can be found on this page:

Note that there are some new tidbits on that page, like what criteria will be used for judging your remix. And here’s where you can download the raw multitracks.

However… once you download the tracks, there’s some additional information you ought to know about the tracks themselves.

The files that are part of the second mix have the prefix “midsection_”. It’s recommended that, at least until you’re familiar with the tracks, you make two different mix sessions and work with each half separately.

In the Girls Aliens Food version of the song, the main song mix is interrupted at around the 2:57 mark with the midsection mix. When the midsection mix ends, the song cuts back into the main song mix, at the main song mix’s 3:17 mark.

The “door slam” file is tacked on to the ending of the album mix. The door slam is not meant to go at the beginning of the mix, as it would be if you imported all of these tracks into a DAW; it’s meant to be inserted wherever the song ends.

Naturally, you are not expected to stay true to the original mix (in fact, it is encouraged that you don’t) — but this information is meant to help make sense of how the tracks were constructed, should you want to use the original mix structure as a starting point.

Most of the tracks are mono, though a few are in stereo. The tracks in stereo are marked with the word “(stereo)” at the end of the name.

What is the BPM for this song? Good question. The Me and My Arrow EP and Girls Aliens Food album are the first Simple Carnival releases where I used a click track. However, I didn’t want to make things sound too slick — I wanted to keep a connection with the lo-fi sound that was established with the previous EPs. So I varied the tempo of the click track very, very slightly, speeding up or slowing down things in the way a conductor might lead an orchestra.

So what does this mean?

It means your job as a remixer just got a lot trickier. Although these tracks line up with one another in a DAW, they don’t collectively line up with a steady tempo grid. And I have been unable to locate the original Pro Tools session that I used for recording the song, so I can’t tell you the initial BPM. By the time I imported the tracks into Reaper for mixing, I paid no attention to the BPM or grid anyway.

If you have any questions about the files, please post them as a comments on the Really Really Weird Remix Contest page or as a comment at the bottom of this post.

Good luck with your remix!